21 in C Major for Piano and Orchestra, K. 467: II. View credits, reviews, tracks and shop for the 1991 CD release of Piano Concerto No.21 In C - Piano Concerto No.22 In E Flat on Discogs. Wolfgang Amadeus Mozart grew up in Salzburg under the regulation of his strict father Leopold who also was a famous composer of his time. Wolfgang Mozart. Mozart entered this concerto in his catalog on December 16, 1785, and played the solo part at the first performance on December 23 in Vienna. Almost simultaneously, he had been working on the score to The Marriage of Figaro. Within that general structure, however, Mozart has a few surprises in store. 2, No. by Phillip Huscher. 1. ���}�����{�oԩ��Q߼�f8M����Y\.NjP�̓[mN�lƛ��C'��yt���4 �x���KufH����ܾ��͟������i�fw����[o��݋����}������q��������7���p������A���q��e|o�w��'����O��'�n��'yZܠ�O��n�-���?��S7����my.��.Y�d:���Ӻ��_V�����kgr��Nݴ��g��r��e�o��R�8�e��4v��o�I��o��^ܾ1����+��|L/y�����M�\?϶�����Dܤ��1v����q��aX6�r�*�Mz��5C����z^�g� ��'�,h}�����ay�,ɵtY�,n��S��9�vEo�q��'�K?��k?��~�ş�;��D��yڮ�Ȇ�ŭ=�y�ۤ���4���U�C1\3�����߹�oG�U���ׇZ=�=�O۾���֭�ӤUZ@��bp�g�u1\g\�C���d"������"��2��3q^ɯ|&��t�'����*��z�L��T�i�w����Y��o5��˙Dg���/�V�C�u%���Y��+�+!�zz+�P��Ȩ��'�?�w#U��� �#����x������G��I�փO�u�~���8z��e�#�c��n�s� &�m�~4i,r����_�ʻ7~WJٓ���r@��{���ƻ�O�^wZ�yHZ����i������u�?^M->��R�ֈ{I��{��q��jFܯ������CwaoYI����a+��W�'��ڧG r���CX�b�EƼ�˃Ӂ�}�/��QW�����~����������4����n ��޿�/�S�iY����˭��t*��m����0s�����?��,G@z^r�'Y�&=�g� ��=�Wt�o=�s���ŀr�wp���D=��y=N孶��D�E. The concerto begins with an orchestral introduction that introduces the main themes of the first movement: An attention grabbing, drumroll-like first idea transitions to a more lyrical melody in the violins. the piano enters and plays a variation on it. the bright, sunny main theme of the finale. It is not known when Mozart completed his Concerto for Two Pianos and Orchestra in E-flat major, K. 365/316a, but research by Alan Tyson shows that cadenzas for the first and third movements are written in his and his father's handwriting on a type of paper used between August 1775 and January 1777 [citation needed]. 33 Beethoven: Piano Concerto No. The second on one by Johann Gottfried Eckard (op. 22 in E-flat Major, K 482; from a 1947 recording featuring pianist Edwin Fischer. The Piano Concerto No. Andante ("Elvira Madigan")," "Concerto No. 22 in E-flat Major, K 482 Third movement, “Rondo,” of Mozart's Piano Concerto No. an expressive episode in a dark, minor key. 22 in E-flat major on December 16, 1785 as he was approaching the height of his popularity in Vienna. 24 in C minor, K491 (1786) [30:36] Angela Hewitt (piano) National Arts Centre Orchestra/Hannu Lintu rec. 22 In E Flat Major KV 482» by Wolfgang Amadeus Mozart 14 (K. 449) in E ♭ major, ushers in a period of creativity that has certainly never been surpassed in piano concerto production. 4 (K. 41) in G major. —Calvin Dotsey. The transitional passage is then transformed by the soloist with an expressive episode in a dark, minor key. Tonic Chord > Analysis ... should be noted. Rondo: Allegro" y muchos más. Wolfgang Amadeus MOZART (1756-1791) Piano Concerto No. After another cadenza, the main theme returns once more. 22. x��}k�$Ǖ��<43g8�HQ�dSԒ�N)3��J�Za �~т�?X�$�kM.����##�q#�ܼY�9#�1���ʊ��8q�����;��[�/ Mozart: Piano Sonata No.4 in E-flat major, K.282 Analysis. <> This Thanksgiving weekend, the Houston Symphony welcomes acclaimed pianist Inon Barnatan back to Jones Hall for performances of Mozart’s enchanting Piano Concerto No. }�����s4���Xɒ �w ���i�_S�S���F^��o���!< +�}Q q��BGs@��^��8�*��*�;P���H,U���a"\�^��|H� �������{͖�N�Z�=D���,�8�C. No. Your subscription means more than ever. A reprise of the soloist’s own theme immediately follows, and the ensuing orchestral passage builds to a cadenza, an extended passage for the soloist alone. Almost simultaneously, he had been working on the score to The Marriage of Figaro. The gloomy mood of the Andante is immediately banished by the bright, sunny main theme of the finale. Toast to 2021: Cocktails Inspired by A Big Band New Year. 22 in E -. 21 in C major, K. 467 "Elvira Madigan": III. 17 in G Major, K. 453, is in first-movement concerto form and has four major themes. 22 in E flat major, K482 (1785) [32:42] Piano Concerto No. Born January 27, 1756, Salzburg, Austria. Mozart, Piano Concerto No. The following spring, the opera would prove so popular that Emperor Joseph had to limit encores of individual numbers during performances. 22 in E-flat major on December 16, 1785 as he was approaching the height of his popularity in Vienna. Explore the 2020–21 season and purchase your subscription today! By tradition, this movement is a rondo: the main theme alternates with contrasting episodes. In the end, the woodwinds join the piano, acquiescing to the dark mood of the movement in an achingly beautiful coda. The orchestra consists of flute, two clarinet horns, two trumpets, timpani, and strings. Piano Concerto N° 15 In B-Flat Major, K. 450: 3Rd Movement: Allegro - Single (with Michail Gantvarg) - Single 2017 Piano Concerto N° 22 In E-Flat Major, K. 482: III. 1 Vivaldi: Concerto for 4 Violins (Alan Gilbert, conductor) Debussy: Prelude to the Afternoon of a Faun (Alan Gilbert, conductor) Ravel: Bolero (Alan Gilbert, conductor) Listen Thursday December 10 at 8 p.m. a brief reminiscence of the piano’s second theme. ... here. for Piano and String Quintet) Above: Detail of Jean Honoré Fragonard’s The Love Letter. Your email address will not be published. 22 in E♭ major, K. 482, is a work for piano, or fortepiano, and orchestra by Wolfgang Amadeus Mozart, composed in December 1785. ���o�m������|�o�5���O��d:�������������t����\���t�y��i��Gu=v���On�n���O���O���9��z�]w�Ó~�U�[e;����%A�?O����O�z��n�V�:�ݏ����?ܭ�ͯ���Gw[w�f���k��6�|]������]S��q>�C��Q�)p�2~ Just as the movement is about to end, the music pauses, and we hear a brief reminiscence of the delicate melody. 5 0 obj Canciones de Michail Gantvarg desde $0.69. Mozart didn't leave cadenzas for this work; O'Conor plays the ones that Beethoven, a great admirer of this concerto, wrote. 4 ), the most famous keyboardist of his day. Mozart: Piano Concerto No.22 In E Flat Major, K.482 - 1. In addition to Theme 1, Theme 2, and a closing theme, all heard in both expositions, there is also a piano theme heard in the solo exposition. Mozart completed the Piano Concerto No. Romance," "Concerto No. 10 in E-Flat Major for Two Pianos and Orchestra, K. 365: III. Regarding an early performance, Mozart’s father Leopold reported that it had been a particular favorite with the audience: “the Andante had to be repeated (something rare).” The strings alone introduce the expressive main theme of the movement before the piano enters and plays a variation on it. 3 / Nos 22 & 24 - Angela Hewitt. As if entering a dream world, the soloist leads us to a slow Andante cantabile featuring the woodwinds. The piano enters with a new theme of its own that is soon interrupted by the drumroll figure. It’s as if Mozart is saying, “And you thought I was going to forget about that one!” The concerto then bounds to its joyful end. The main theme then returns, but is soon derailed into a more tumultuous developmental section, which suddenly comes to a halt with a cadenza. 20 in D Minor for Piano and Orchestra, K. 466: II. A transition then leads not back to the main theme, but to a third melody with a broadly lyrical, singing character. This incipient theme and variations, however, is interrupted by the woodwinds, who attempt to brighten the mood with a contrasting melody in a major key. The slower second movement, a melancholy Andante, is the heart of the concerto. His abilities in music were obvious even when Mozart was still young so that in 1762 at the age of six, his father took him with his elder sister on a concert tour to Munich and Vienna and a second one from … The concerto K. 447 is the third of the four horn concertos composed by Mozart between 1783 and 1791 for the French horn player Joseph Leutgeb (1732-1811), a friend whom Mozart knew for most of his life. After the dancing main theme, the music comes to a pause as the strings play a simple, pulsing accompaniment figure. 22 in E-flat Major, K 482; from a 1947 recording featuring pianist Edwin Fischer. Apart from Mozart’s usual formal perfection and melodic genius, this concerto is especially noteworthy for its colorful woodwind writing, which employs clarinets in place of the oboes expected in an orchestra of this era. It is interrupted, surprisingly, by a slow minuet section in the subdominant key of A ♭ major (a procedure Mozart would repeat with his 22nd concerto, 1785, also in the key of E ♭ … An orchestral tutti then leads to a more unstable, developmental section featuring virtuoso arpeggios for the piano that pass through many different keys. The next concerto, No. stream 22 3rd mvt' Artist: Mozart, Wolfgang Amadeus (sheet music) Born: January 27, 1756 , December 5, 1791 Died: Salzburg , Vienna The Artist: A child prodigy, Mozart wrote his first symphony when he was eight years old and his first opera at 12. The third movement is based on C. P. E. Bach's piece La Boehmer, published in the early 1760s.Mozart's cadenzas for the concerto survive.. No. This searching music comes to rest on a brief reminiscence of the piano’s second theme, leading the return of the drumroll theme in the home key. 14 in E-Flat Major, K. 449 - III. By continuing to browse the site you are agreeing to our use of cookies. Third movement, “Rondo,” of Mozart's Piano Concerto No. Notify me of follow-up comments by email. The first movement of Mozart's Piano Concerto No. Nevertheless, the piano and strings insist on another variation of the gloomy main theme. Required fields are marked *. Live from Jones Hall Q&A: Robin Kesselman, Principal Double Bass, on Mazzoli’s “Dark with Excessive Bright”, Houston Symphony Lights Up with the Bright Lights of Broadway. Performers today must supply their own cadenzas. 18-20 July 2013, National Arts Centre, Ottawa HYPERION CDA68049 [63:20] As far as we know, Mozart likely performed this particular concerto at least three times during his life: twice within a few weeks of its completion and again during a series of subscription concerts the following Lent. About 'Theme from Piano Concerto No. After this transitional passage, the second theme introduced by the violins in the introduction is surprisingly absent; instead, the soloist plays a new theme. Another cadenza then returns us to a reprise of the main theme and the broad, lyrical melody. ‎Escucha canciones y álbumes de Michail Gantvarg, como "Concerto No. Bach: Concerto for Violin and Oboe Mozart: Symphony No. Michael Kelly, an Irish tenor who originated the roles of Basilio and Don Curzio in The Marriage of Figaro, left a vivid description of Mozart’s piano technique from this time: “His feeling, the rapidity of his fingers, the great execution and strength of his left hand particularly, and the apparent inspiration of his modulations, astounded me.”. %�쏢 Mozart completed the Piano Concerto No. Piano Concerto No. Writing in The Observer, Stephen Pritchard wrote of the first volume that ‘Judging from this first example, it’s going to be a … Above it, the soloist plays a delicate, exquisite melody. Get tickets and more information at houstonsymphony.org. Allegro ma non troppo (Arr. The transition, now free of minor-key disturbances, leads to the orchestra’s original second theme from the introduction, played by the soloist for the first time. Wolfgang Amadeus Mozart - Mozart: Piano Concerto No. Piano Concerto No.21 in C major, K.467; Piano Concerto No.22 in E ♭ major, K.482; Piano Concerto No.23 in A major, K.488; Piano Concerto No.24 in C minor, K.491; Piano Concerto No.25 in C major, K.503; Piano Concerto No.26 in D major, K.537 “Coronation” Piano Concerto No.27 in B ♭ major, K.595; Arrangements of Other Composers %PDF-1.3 Mozart: Piano Concerto No.22 In E Flat Major, K.482 - 2. 1, no. After the soloist’s final trill (the traditional signal that the cadenza is over), the orchestra brings the movement to a spirited close. Your email address will not be published. Though opera was the most prestigious genre of music, piano concertos formed the bread and butter of Mozart’s career at the time, and his performances of his own works were in high demand. 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